"Avatar" by James Cameron

Avatar (2009 film)

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Avatar
On the upper half of the poster are the faces of a man and a female blue alien with yellow eyes, with a giant planet and a moon in the background and the text at the top: "From the director of Terminator 2 and Titanic". Below is a dragon-like animal flying across a landscape with floating mountains at sunset; helicopter-like aircraft are seen in the distant background. The title "James Cameron's Avatar", film credits and the release date appear at the bottom
Theatrical release poster
Directed byJames Cameron
Produced by
Written byJames Cameron
Starring
Music byJames Horner
CinematographyMauro Fiore
Edited by
Production
company
Distributed by20th Century Fox[1]
Release date
  • December 10, 2009 (London)
  • December 18, 2009 (United States)
Running time
161 minutes[2]
CountryUnited States
LanguageEnglish
Budget$237 million[3]
$9 million+ (re-release)[4]
Box office$2.79 billion[5][6]
Avatar (marketed as James Cameron's Avatar) is a 2009 American[7][8] epic science fiction film directed, written, produced, and co-edited by James Cameron and stars Sam WorthingtonZoe SaldanaStephen LangMichelle Rodriguez, and Sigourney Weaver. The film is set in the mid-22nd century when humans are colonizing Pandora, a lush habitable moon of a gas giant in the Alpha Centauri star system, in order to mine the mineral unobtanium,[9][10] a room-temperature superconductor.[11] The expansion of the mining colony threatens the continued existence of a local tribe of Na'vi – a humanoid species indigenous to Pandora. The film's title refers to a genetically engineered Na'vi body operated from the brain of a remotely located human that is used to interact with the natives of Pandora.[12]
Development of Avatar began in 1994, when Cameron wrote an 80-page treatment for the film.[13][14] Filming was supposed to take place after the completion of Cameron's 1997 film Titanic, for a planned release in 1999,[15] but, according to Cameron, the necessary technology was not yet available to achieve his vision of the film.[16] Work on the language of the film's extraterrestrial beings began in 2005, and Cameron began developing the screenplay and fictional universe in early 2006.[17][18] Avatar was officially budgeted at $237 million.[3] Other estimates put the cost between $280 million and $310 million for production and at $150 million for promotion.[19][20][21] The film made extensive use of new motion capture filming techniques, and was released for traditional viewing, 3D viewing (using the RealD 3DDolby 3DXpanD 3D, and IMAX 3D formats), and for "4D" experiences in select South Korean theaters.[22] The stereoscopic filmmaking was touted as a breakthrough in cinematic technology.[23]
Avatar premiered in London on December 10, 2009, and was released in the United States on December 18 to positive reviews, with critics highly praising its groundbreaking visual effects.[24][25][26] During its theatrical run, the film broke several box office records and became the highest-grossing film at the time, as well as in the United States and Canada,[27] surpassing Cameron's Titanic, which had held those records for twelve years.[28] Avatar remained the highest-grossing film worldwide for nearly a decade, before being overtaken by Avengers: Endgame in 2019. It also became the first film to gross more than $2 billion[29] and the best-selling film of 2010 in the United StatesAvatar was nominated for nine Academy Awards, including Best Picture and Best Director,[30] and won three, for Best Art DirectionBest Cinematography and Best Visual Effects.
Following the film's success, Cameron signed with 20th Century Fox to produce four sequels: Avatar 2 and Avatar 3 have completed principal filming, and are scheduled to be released on December 17, 2021, and December 22, 2023, respectively; subsequent sequels are scheduled to be released on December 19, 2025, and December 17, 2027.[31] Several cast members are expected to return, including Worthington, Saldana, Lang, and Weaver.[32][33]

Plot

In 2154, humans have depleted Earth's natural resources, leading to a severe energy crisis. The Resources Development Administration (RDA for short) mines for a valuable mineral — unobtanium — on Pandora, a densely forested habitable moon orbiting the gas giant Polyphemus in the Alpha Centauri star system.[10] Pandora, whose atmosphere is poisonous to humans, is inhabited by the Na'vi, a species of 10-foot tall (3.0 m), blue-skinned, sapient humanoids[34] that live in harmony with nature and worship a mother goddess named Eywa.
To explore Pandora's biosphere, scientists use Na'vi-human hybrids called "avatars", operated by genetically matched humans; Jake Sully, a paraplegic former Marine, replaces his deceased identical twin brother as an operator of one. Dr. Grace Augustine, head of the Avatar Program, considers Sully an inadequate replacement but accepts his assignment as a bodyguard. While escorting the avatars of Grace and fellow scientist Dr. Norm Spellman as they collect biological data, Jake's avatar is attacked by a thanator and flees into the forest, where he is rescued by Neytiri, a female Na'vi. Witnessing an auspicious sign, she takes him to her clan, whereupon Neytiri's mother Mo'at, the clan's spiritual leader, orders her daughter to initiate Jake into their society.
Colonel Miles Quaritch, head of RDA's private security force, promises Jake that the company will restore his legs if he gathers information about the Na'vi and the clan's gathering place, a giant tree called Hometree,[35] which stands above the richest deposit of unobtanium in the area. When Grace learns of this, she transfers herself, Jake, and Norm to an outpost. Over the following three months, Jake grows to sympathize with the natives. After Jake is initiated into the tribe, he and Neytiri choose each other as mates, and soon afterward, Jake reveals his change of allegiance when he attempts to disable a bulldozer that threatens to destroy a sacred Na'vi site. When Quaritch shows a video recording of Jake's attack on the bulldozer to Administrator Parker Selfridge,[36] and another in which Jake admits that the Na'vi will never abandon Hometree, Selfridge orders Hometree destroyed.
Despite Grace's argument that destroying Hometree could damage the biological neural network native to Pandora, Selfridge gives Jake and Grace one hour to convince the Na'vi to evacuate before commencing the attack. While trying to warn the Na'vi, Jake confesses to being a spy, and the Na'vi take him and Grace captive. Seeing this, Quaritch's men destroy Hometree, killing Neytiri's father (the clan chief) and many others. Mo'at frees Jake and Grace, but they are detached from their avatars and imprisoned by Quaritch's forces. Pilot Trudy Chacón, disgusted by Quaritch's brutality, frees Jake, Grace, and Norm, and airlifts them to Grace's outpost, but during the escape Quaritch fires at them, hitting Grace.
To regain the Na'vi's trust, Jake connects his mind to that of Toruk, a dragon-like predator feared and honored by the Na'vi. Jake finds the refugees at the sacred Tree of Souls and pleads with Mo'at to heal Grace. The clan attempts to transfer Grace from her human body into her avatar with the aid of the Tree of Souls, but she dies before the process can be completed. Supported by the new chief Tsu'tey, Jake speaks to unite the clan and tells them to gather all of the clans to battle against the RDA. Noticing the impending gathering, Quaritch organizes a pre-emptive strike against the Tree of Souls, believing that its destruction will demoralize the natives. On the eve of battle, Jake prays to Eywa, via a neural connection with the Tree of Souls, to intercede on behalf of the Na'vi.
During the subsequent battle, the Na'vi suffer heavy casualties, including Tsu'tey and Trudy; but are rescued when Pandoran wildlife unexpectedly join the attack and overwhelm the humans, which Neytiri interprets as Eywa's answer to Jake's prayer. Jake destroys a makeshift bomber before it can reach the Tree of Souls; Quaritch, wearing an AMP suit, escapes from his own damaged aircraft and breaks open the avatar link unit containing Jake's human body, exposing it to Pandora's poisonous atmosphere. Quaritch prepares to slit the throat of Jake's avatar, but Neytiri kills Quaritch and saves Jake from suffocation.
With the exceptions of Jake, Norm and a select few others, all humans are expelled from Pandora and sent back to Earth, after which Jake is permanently transferred into his avatar with the aid of the Tree of Souls.

Cast

Humans

  • Sam Worthington as Jake Sully, a disabled former Marine who becomes part of the Avatar Program after his twin brother is killed. His military background helps the Na'vi warriors relate to him. Cameron cast the Australian actor after a worldwide search for promising young actors, preferring relative unknowns to keep the budget down.[37] Worthington, who was living in his car at the time,[38] auditioned twice early in development,[39] and he has signed on for possible sequels.[40] Cameron felt that because Worthington had not done a major film, he would give the character "a quality that is really real". Cameron said he "has that quality of being a guy you'd want to have a beer with, and he ultimately becomes a leader who transforms the world".[41]
    • Sam Worthington also plays Jake's deceased twin brother, Tom.
  • Stephen Lang as Colonel Miles Quaritch, the head of the mining operation's security detail. Fiercely loyal to his military code, he has a profound disregard for Pandora's inhabitants that is evident in both his actions and his language. Lang had unsuccessfully auditioned for a role in Cameron's Aliens (1986), but the director remembered Lang and sought him for Avatar.[42] Michael Biehn, who was in Aliens, read the script and watched some of the 3-D footage with Cameron[43] but was ultimately not cast in the role.
  • Sigourney Weaver as Dr. Grace Augustine, an exobiologist and head of the Avatar Program. She is also Sully's mentor and an advocate of peaceful relations with the Na'vi, having set up a school to teach them English.[44]
  • Michelle Rodriguez as Trudy Chacón, a combat pilot assigned to support the Avatar Program who is sympathetic to the Na'vi. Cameron had wanted to work with Rodriguez since seeing her in Girlfight.[42]
  • Giovanni Ribisi as Parker Selfridge, the corporate administrator for the RDA mining operation.[45] While he is at first willing to destroy the Na'vi civilization to preserve the company's bottom line, he is reluctant to authorize the attacks on the Na'vi and taint his image, doing so only after Quaritch persuades him that it is necessary and that the attacks will be humane. When the attacks are broadcast to the base, Selfridge displays discomfort at the violence.
  • Joel David Moore as Dr. Norm Spellman, a xenoanthropologist[46] who studies plant and animal life as part of the Avatar Program.[47] He arrives on Pandora at the same time as Sully and operates an avatar. Although he is expected to lead the diplomatic contact with the Na'vi, it turns out that Jake has the personality better suited to win the natives' respect.
  • Dileep Rao as Dr. Max Patel, a scientist who works in the Avatar Program and comes to support Jake's rebellion against the RDA.[48]

Na'vi

  • Zoe Saldana as Neytiri, the daughter of the leader of the Omaticaya (the Na'vi clan central to the story). She is attracted to Jake because of his bravery, though frustrated with him for what she sees as his naiveté and stupidity. She serves as Jake's love interest.[49] The character, like all the Na'vi, was created using performance capture, and its visual aspect is entirely computer generated.[50] Saldana has also signed on for potential sequels.[51]
  • CCH Pounder as Mo'at, the Omaticaya's spiritual leader, Neytiri's mother, and consort to clan leader Eytukan.[52]
  • Wes Studi as Eytukan, the Omaticaya's clan leader, Neytiri's father, and Mo'at's mate.
  • Laz Alonso as Tsu'tey, the finest warrior of the Omaticaya. He is heir to the chieftainship of the tribe. At the beginning of the film's story, he is betrothed to Neytiri.

Production

Origins

In 1994,[14] director James Cameron wrote an 80-page treatment for Avatar, drawing inspiration from "every single science fiction book" he had read in his childhood as well as from adventure novels by Edgar Rice Burroughs and H. Rider Haggard.[13] In August 1996, Cameron announced that after completing Titanic, he would film Avatar, which would make use of synthetic, or computer-generated, actors.[16] The project would cost $100 million and involve at least six actors in leading roles "who appear to be real but do not exist in the physical world".[53] Visual effects house Digital Domain, with whom Cameron has a partnership, joined the project, which was supposed to begin production in mid-1997 for a 1999 release.[15] However, Cameron felt that the technology had not caught up with the story and vision that he intended to tell. He decided to concentrate on making documentaries and refining the technology for the next few years. It was revealed in a Bloomberg BusinessWeek cover story that 20th Century Fox had fronted $10 million to Cameron to film a proof-of-concept clip for Avatar, which he showed to Fox executives in October 2005.[54]
In February 2006, Cameron revealed that his film Project 880 was "a retooled version of Avatar", a film that he had tried to make years earlier,[55] citing the technological advances in the creation of the computer-generated characters GollumKing Kong, and Davy Jones.[13] Cameron had chosen Avatar over his project Battle Angel after completing a five-day camera test in the previous year.[56]
In an interview, Indian actor Govinda revealed that James Cameron had reached out to him offering to cast him for the role of Jake Sully, which he declined citing his disagreement over using body paints as well as planned long duration of shooting.[57] He further claimed that the title of the movie was also suggested by him to Cameron after assuring him that the movie would be very successful. This has eventually led to several users mocking him on social media.[58][59] The actor, in his later interview has called the reaction of social media users as 'prejudiced behavior'.[60][61]

Development

From January to April 2006, Cameron worked on the script and developed a culture for the film's aliens, the Na'vi. Their language was created by Dr. Paul Frommer, a linguist at USC.[13] The Na'vi language has a lexicon of about 1000 words, with some 30 added by Cameron. The tongue's phonemes include ejective consonants (such as the "kx" in "skxawng") that are found in the Amharic language of Ethiopia, and the initial "ng" that Cameron may have taken from New Zealand Māori.[18] Actress Sigourney Weaver and the film's set designers met with Jodie S. Holt, professor of plant physiology at University of California, Riverside, to learn about the methods used by botanists to study and sample plants, and to discuss ways to explain the communication between Pandora's organisms depicted in the film.[62]
From 2005 to 2007, Cameron worked with a handful of designers, including famed fantasy illustrator Wayne Barlowe and renowned concept artist Jordu Schell, to shape the design of the Na'vi with paintings and physical sculptures when Cameron felt that 3-D brush renderings were not capturing his vision,[63] often working together in the kitchen of Cameron's Malibu home.[64] In July 2006, Cameron announced that he would film Avatar for a mid-2008 release and planned to begin principal photography with an established cast by February 2007.[65] The following August, the visual effects studio Weta Digital signed on to help Cameron produce Avatar.[66] Stan Winston, who had collaborated with Cameron in the past, joined Avatar to help with the film's designs.[67] Production design for the film took several years. The film had two different production designers, and two separate art departments, one of which focused on the flora and fauna of Pandora, and another that created human machines and human factors.[68] In September 2006, Cameron was announced to be using his own Reality Camera System to film in 3-D. The system would use two high-definition cameras in a single camera body to create depth perception.[69]
While these preparations were underway, Fox kept wavering in its commitment to Avatar because of its painful experience with cost overruns and delays on Cameron's previous picture, Titanic, even though Cameron rewrote the script to combine several characters together and offered to cut his fee in case the film flopped.[54] Cameron installed a traffic light with the amber signal lit outside of co-producer Jon Landau's office to represent the film's uncertain future.[54] In mid-2006, Fox told Cameron "in no uncertain terms that they were passing on this film," so he began shopping it around to other studios and approached Walt Disney Studios, showing his proof of concept to then chairman Dick Cook.[54] However, when Disney attempted to take over, Fox exercised its right of first refusal.[54] In October 2006, Fox finally agreed to commit to making Avatar after Ingenious Media agreed to back the film, which reduced Fox's financial exposure to less than half of the film's official $237 million budget.[54] After Fox accepted Avatar, one skeptical Fox executive shook his head and told Cameron and Landau, "I don't know if we're crazier for letting you do this, or if you're crazier for thinking you can do this ..."[70]
External audio
James Cameron interviewed by F. X. Feeney on writing Avatar.
 Interview[71]
In December 2006, Cameron described Avatar as "a futuristic tale set on a planet 200 years hence ... an old-fashioned jungle adventure with an environmental conscience [that] aspires to a mythic level of storytelling".[72] The January 2007 press release described the film as "an emotional journey of redemption and revolution" and said the story is of "a wounded former Marine, thrust unwillingly into an effort to settle and exploit an exotic planet rich in biodiversity, who eventually crosses over to lead the indigenous race in a battle for survival". The story would be of an entire world complete with an ecosystem of phantasmagorical plants and creatures, and native people with a rich culture and language.[51]
Estimates put the cost of the film at about $280–310 million to produce and an estimated $150 million for marketing, noting that about $30 million in tax credits will lessen the financial impact on the studio and its financiers.[19][20][21] A studio spokesperson said that the budget was "$237 million, with $150 million for promotion, end of story."[3]

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